“美学的历史的观点”在中国的阐释与发展(2)
2014-04-01 04:30
导读：1948年3月,《大众文艺众刊》问世,这是继1945年之后对胡风发起的又一次批判,胡风对这一切的反应就是写了《论现实主义之路》。胡风从理论上对文艺进展的
1948年3月,《大众文艺众刊》问世,这是继1945年之后对胡风发起的又一次批判,胡风对这一切的反应就是写了《论现实主义之路》。胡风从理论上对文艺进展的探讨,对文艺、现实与人民的关系的论述,在一定程度上具有意义。他指出作家必须要从实际出发,从“具体或现实”出发,才能回到现实并指导现实。他认为抽象的“爱国主义”冲淡了文学应有的任务,呼吁作家们在创作方法上,应当以坚实的爱憎真切地反映生活形象,表现真实的历史动向,和人民负担、潜力、觉醒、与愿望,防止空洞的叫喊和冷淡的描写。胡风在《关于田间的诗》中写道:“作家的诗心要从‘感觉、意象、矼arxist literary criticism, "History and Aesthetics," the general principles, is under the guidance of dialectical materialism and historical materialism put forward. The process of Marxist literature and art in China is closely related with China’s revolution, his literary criticism of the "aesthetic point of view of history" in Marxist Literary Theory in China the development has gone through the bud, exploring, wandering, the phases of a breakthrough, "the history of aesthetics point of view, "the connotation of undergoing continuous evolution and development, we can from Lu Xun, Qu Qiubai, Mao Zedong, Deng Xiaoping, be seen on the art of the Chinese explanation of its meaning and development.
Views of History and Aesthetics;Marxist literary criticism;Marxist Literary Theory in China
