谷崎润一郎《褴褛之光》的美学探析

摘   要

《褴褛之光》是谷崎润1郎在1918年发表的1篇短篇小说。这篇小说在美学观念上崇尚为艺术而艺术，完全体现了作者的美学追求。本文试图从美学的角度探析《褴褛之光》中“否定美学”的无穷魅力。全文共分5部分：第1部分主要介绍谷崎润1郎生平创作及其作品《褴褛之光》。第2部分对否定美学的内涵进行揭示。第3部分对《褴褛之光》中所表现的“以丑为美”的“否定美学”观进行探讨，作者以“我”的身份置身作品中，通过自己的眼睛，直接去描绘两个女人触目惊心的“丑”和“美”。本文认为这篇作品的“以丑为美”主要体现在作者对“女乞丐”和“妓女”形象的刻画上。第4部分主要是通过对 A青年的分析，揭示出作者对当时常态的生活方式的否定。结语部分，认为《褴褛之光》只是建立在美学意义上的，只是美学层面上的否定，但客观上坚持了对社会现实的批判。
    关键词：《褴褛之光》；丑；美；否定美学

ABSTRACT

    Ranru no Hikari, published in 1918, is one of the novels written by Tanizaki Junichiro. In esthetics aspect, this novel may regarded as an art just for art. It has manifested the authors esthetics pursue completely. This thesis attempts to analyze the infinite charm of “Denial Esthetics” in Ranru no Hikari from esthetics angle. The thesis can be divided into five parts: the first part mainly introduces Tanizaki Junichiro’s biography and his work Ranru no Hikari; the second part illustrates the connotation of “Denial Esthetics”; the third part discusses the idea of “Denial Esthetics”---“take the clown as nice”, which is manifested from Ranru no Hikari, and the author takes the first person status in the work, and through “my” own eyes describes the astonishing “clown” and “nice” of two women directly. In this thesis, the description of the image of “the female beggar” and “the prostitute” reveals the idea---“take the clown as nice”; in the fourth part, the author’s negate of the main life style in that times is manifested by the analysis of  youth A. In conclusion, Ranru no Hikari is considered as the establishment on Esthetics. It is the denial on esthetics level, objectively, it criticizes the social reality. （转载自http://www.ＮＳＥＡＣ.com中国科教评价网）
Key words: Ranru no Hikari; clown; nice; Denial Esthetics