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摘 要:文章以分析中国古代设计承继与设计美学、哲学在社会中的现实反映为立足点,从古代设计的社会地位与古代设计的思想渊源两部分探索,列举了设计的具体实施形制,表现方式、范围,以及其社会品评法则。对设计实体与设计思路、审美评价准则的演变作了总结。提出古代设计演化“以人为本”、“天人合一”、和“道法自然”的总体设计方向,服务于人,服务于现实生活为设计标准的深邃美学哲学实践观念。
关键词:中国古代设计;文化;思想渊源;美学
Abstract: Based on the analysis of the heritage and the practical reflection of the aesthetics and philosophy of artistic design, a study is made on both the social status and the ideological origin of the ancient design. The paper explores in detail the forms of the implementation,the patterns and scale of the manifestation, as well as the laws of the evaluation, of the ancient Chinese artistic design. Conclusions concerning its works,train of thought, and the development of its laws of aesthetic evaluation are made. The design, the essence of which follows Chinese ancient philosophy of “stressing the strong empathy between human being and nature with human as the center of the universe under the guidance of the law of nature”, the aim of which is to serve people in their practical life, represents the concept of putting profound philosophical and aesthetical idea into application.
Key words: ancient Chinese artistic design;culture;ideological origin;aesthetics
中国是一个拥有悠久文明历史的古国,在5 000年有记载的文明演化史中,文学、绘画、音乐、哲学的体制变革都为整个人类发展史留下了光辉的一页。有资料可以证明,我们的祖先已经在这块东方土地上生活了不少于100万年,在这漫长的岁月里,祖先们使用石器、陶器、青铜器、铁器以及木器和玉器,为人类文明书写下了灿烂的篇章。历经奴隶社会、封建社会、资本社会数千年的更迭,祖先们对于世界宇宙观的摸索使得知识结构体系不断完善,对于自身所处社会的意义与价值也作出了深入的总结,艺术创作探索步伐不断深入,使得人们给“设计”的社会地位给予了充分的认识与肯定。
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1.2 中国古代设计品评标准
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