中国近现代音乐史史学研究回顾

[摘 要] 中国近现代音乐史研究是中国音乐史学的1个分支。和外国音乐史及中国古代音乐史研究相比，它的特点1是“近”，2是“新”。由于中国古代史与近现代史的分界点在1840年的“鸦片战争”，因此1840年之后的中国音乐的研究称为“中国近现代音乐史”。这个分界的依据是社会学的方法，因为“鸦片战争”之后的中国是半殖民地、半封建社会是旧民主主义历史阶段。现见的中国近现代音乐史1般对此有两种不同的分期方法：“3段体”分法和“2段体”分法。中国近现代音乐史的研究开始于3410年代，形成于5610年代，“文化大革命”的10年间形成断裂，在8910年代又获得了重大的进展。

[关键词] 萌芽时期   初创时期   发展时期   特点

Abstract: The study of the modern Chinese music history is one of the branches in the study of Chinese music history. Compared with the studies of foreign music history and ancient Chinese music history, it is characterized by “near” and “new”. Historically speaking, the “Opium War” in 1840 is regarded as the beginning of the modern Chinese history. Therefore the music history in China after 1840 is called “the modern Chinese music history”, which is based on the sociology because after that war China became a semi-colony and semi-feudal society. Nowadays there are two different stage separations of the modern Chinese music history,  that is, “there-stage way” and “two-stage way”. The study of the modern Chinese music history bagan in 1930s-1940s, got formed in 1950s-1960s, paused for a decade during the “Cultural Revolution”, and made great progress in 1980s-1990s.

Key words: embryonic stage; preliminary stage; developing stage; characteristics