国家不幸诗人幸，话到沧桑句便工—论李煜的词

摘   要

南唐后主李煜兼有亡国之君和杰出词人的双重身份。由于特殊的身份地位和不同常人的生活经历，李煜的词基本上摆脱了“花间派”的习气，不仅在题材内容上有所拓展，而且将真性情自然而然地融入到词作之中，形成了自己独特的艺术风格。尤其是降宋之后，1国之君与亡国之奴的两种身份的巨大落差，使李煜饱尝了被俘生活的哀痛与艰辛，在内心深处唤起了对过去帝王生活无穷的追忆。痛定思痛，李煜将自己对往昔生活的留恋与亲佞远贤、以致国破家亡的追悔之情，毫无保留地倾泄到词作之中，成为1代亡国之君的千古绝唱。
本文从李煜人生经历，即由国君到囚徒的沧桑巨变后，前后期词作呈现出的不同文学风貌和艺术表达效果，来走近词人的内心世界，探讨其心路历程，从而实证出这位在政治上软弱无能的君主，在文学上却有着非凡的造诣。李煜是南唐词派的1代宗师，是宋词的开山之人，他的创作在我国词史上树起了1座丰碑。
关键词：李煜；心路历程；创作流变；真情实感；独特风格

ABSTRACT

The emperor of South Tang Li Yu had a double－identity: a king who lost his kingdom to his eremy and a great poet. Because of this special identity and particular life experience, he got rid of the style of Hua Jian Stylistic Poetry form his writing. He expanded the contend and the subject that he wanted to write about and use his true emotion to finish his works so that’s why Li Yu formed a special style of his own. When he lost his kingdom to Song Dynasty, the huge change of form a king to a prisoner let Li Yu totally knew the hardships of life. He put all his regretting and the beautiful memory of past life in his poems to express the hopeless from his heart. 内容来自www.nseac.com
This article centers on discussing Li Yu’s inner world and his styles’ differences after he experienced the huge change of his life, to prove that this incapable king had a great contribution on literature. Li Yu is a great emperor of “South Tang Poem” and the creator of “Song Ci”. His works is a landmark in Chinese literary history.
Key words: Li Yu; spirit growth; fluctuation of literature creation; sentiments; exclusive style