回旋性与三部性的巧妙结合

摘   要

本文着重对维尼亚夫斯基《D大调波罗奈兹舞曲》的曲式结构进行全面的分析，以简要的介绍作者的生平、相关代表作品及创作风格为切入点，侧重研究这个作品的曲式结构方面所具有的特殊性，以及回旋曲式与复3部曲式在这个作品中结合所体现的边缘性。更重要的是从这个非规范化的结构作品中找到该曲式各部分可能产生的新的关系及形成的新的结构原则。
    关键词：维尼亚夫斯基；波罗奈兹舞曲；复3部曲式；回旋曲式

 
ABSTRACT

     The founders went on to the "D-flat Boluonaici Dance" conduct a comprehensive analysis of the structure of the musical form, a brief introduction to the authors biographical, representative works related to the entry and creative style, focusing on the works of the musical form structural specificity, and Rondo with the trilogy style works in the context of the entire periphery. More importantly from the non-standardized structure of the musical form part of the works may have found a new relationship and a new structuAre principles.
Key words: Henryk Wieniawski；Boluonaici Dance; the trilogy style; Rondo Type