从女性形象刻画看《水浒传》

摘   要

《水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是“淫恶”到极端，就是“男性化”到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。从这个意义上说，《水浒传》女性的命运注定是悲剧！
关键词：《水浒》；女性形象；男权意识；男权话语；男权中心
 

ABSTRACT

Water Margin,that a work dedicated to masculine has always been highly appreciated．Yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine ．There are few women personages in water margin which can be divided into two kinds briefly: Namely "lady of easy virtue" and "heroine"．Novel go on two extremes overly that  women’figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these．Consequently  the women’ figure  maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn’t defeated by men．The female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too．In a word womens destiny in Water Margin is a miserable foregone! （转载自http://zw.nseac.coM科教作文网）
Key words: Water Margin; female figure ;the super male consciousness;
 the male linguistical power; the centre power of masculine