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摘 要
吉普赛是1个有着苦难经历并保留着自己独特传统的流浪民族。19世纪上半期欧洲浪漫主义文学处于上升的时期,文学家秉着“自然”、“激情”的美学追求,把目光投向了吉普赛文化,并将吉普赛女性作为表现的对象,其中代表性的作品有雨果的《巴黎圣母院》、普希金的《茨冈》和梅里美的《卡门》。《巴黎圣母院》中的爱斯梅哈尔达是真善美的化身,是内美外秀的优美之精灵;《茨冈》中的金斐拉是纯朴自然的朴素之精灵;而《卡门》中的卡门则是放荡不羁、野性自由之精灵。这3个形象虽然各具特色,但她们都具有吉普赛女性优美的形体、自然状态的爱情观与生存方式。
关键词:吉普赛文化;《巴黎圣母院》;《茨冈》;《卡门》;女性形象
ABSTRACT
The gypsy is has the misery to experience and retains own unique tradition to roam about the nationality.On 19th century half issue of European romanticism literature is in the rise the time,the writer is holding the"nature", "the fervor" esthetics pursue, went to the gypsy culture the vision, and takes the gypsy female the performance the object, representative work has Hugo Notre Dame of Paris, Pushkin Tribulus Post, Merimee Carmen.Notre Dame of Paris center La Esmerelda is the true, the good and the beautiful incarnation, is beautiful appearance, in a sincere and honest character exquisite demon;Tribulus Post center Jin Feila is the simple natural simple demon;but Carmen center Carmen is unconventional, demon of the fond of the countryside freedom. These three feminine image although each characteristic, but they all have the gypsy females exquisite physique, natural state love view and the survival way. (转载自中国科教评价网www.nseac.com )
Key words: Gypsy culture; Notre Dame of Paris;Tribulus Post;Carmen;
Feminine image