《琼斯皇》的原型分析

Abstract
 
The production of The Emperor Jones early in the 20th century marked the final acceptance of Eugene O’Neill as one of the most important dramatists in America, and the play has become the greatest achievement of O’Neill’s experiment in expressionist drama. This thesis attempts to make archetypal study of the play through the analysis of the psychological fantasies, cloths, gunshots and drumbeats.
This thesis consists of three parts: individual unconscious, racial unconscious and collective unconscious of human beings, and each part is correlative for psychological fantasies, cloths, gunshots and drumbeats
The conclusion is devoted to the significance of Jones’ journey in the forest and shows that Jones’ journey is not only an individual escape but also a spiritual journey of his race and human being’s as well.
 
Key words: The Emperor Jones; archetypal analysis; Jung; unconscious;
racial memory 

摘  要
 
奥尼尔20年代初开始探索用新的戏剧手法去表现历史与人生。《琼斯皇》的创作，为他赢得了极大的声誉，成为表现主义戏剧思潮为美国观众所接受的1个重要标志。这篇旨在通过幻想，服饰，枪声和鼓点配合原形分析理论来进行原形批判。
本文开始介绍了《琼斯皇》在戏剧界中的卓越地位以及有关的创作背景。同时，对荣格的原形分析理论也有详细的阐述。
整个分成3部分，即从个人无意识，民族无意识和人类的集体无意识3个方面对剧本进行原形分析。第1部分分3节分别论述个人无意识与幻影、服装、枪声以及鼓点的关系；第2部分分别论述集体无意识与幻影、服装、枪声和鼓点的关系；第3部分论述人类无意识与幻影、服装、枪声和鼓点的关系。

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